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A number of aspiring filmmakers will try to get into the best film schools in the country to learn film-making. Not everyone however will get in as there is only a certain amount of room; not everyone will be able to attend these big name film schools. But it doesn’t have to mean that you are destined to fail if you don’t attend one of these schools. Many filmmakers didn’t attend film school at all and yet have done very well.
The reasons why some people skip film school may come as a surprise and may even sound reasonable. You probably think that the only way to learn how to make movies is by getting formal training and maybe a degree in film. That is not necessarily the case. There are actually many sources of the same information online that will show budding filmmakers the techniques and tools that they will need to make a film, and the bonus of skipping film school is the time and the money you will have saved, that allows you to explore other options to getting films made.
As someone who’s attended two of the top film schools in the world, NYU and USC, I often get asked a simple question: Should I go to film school? The answer actually can’t be answered in a yes/no fashion as it really depends on multiple factors regarding the individual student considering attending and what they hope to get out of the experience. This article aims to address some of the major points that one should contemplate when considering a film or cinema school education.
The first distinction that one should understand are the differences between attending an undergraduate or graduate film/cinema program. Undergraduate programs combine the general liberal arts education requirements that are necessary to receive a bachelor degree along with major specific classes in film and television. Usually the first two years are predominantly liberal arts while the junior and senior years include mostly major concentrated classes. Some programs start with film related classes earlier. Both USC and NYU start the beginning film student off with some film history as well as either video based (DV) or Super 8 filmmaking that progressively leads to more sophisticated film classes in later years.