Arizona has always been an attractive film location ever since the early days of Hollywood – what with all its immense and otherworldly deserts. Presently, Arizona has been consistently used as a film location outside of Hollywood as seen in: the pioneering westerns such as “Gun fight at the O.K. Corral, counter-culture classics like “Easy Rider” and the contemporary hits like “3:10 to Yuma.” People who attend Arizona film schools gain the opportunity to learn the craft of film making in a real environment where many of our greatest films have been shot.
Just like anything else, filmmaking is decentralizing and changing – what with all these progresses in the digital era. Prime production hubs such as L.A. and New York, now command a smaller pie of the market as production migrates to, “third coast” locations around the United States. Arizona, with its gorgeous desert landscapes, production incentives, and promising local talent pool, is set to remain a consistent location for major motion pictures, looking to step outside of the confines of Hollywood. This results to a demand for local talent. Students going to Arizona film schools obtain the experience and skills they require to become the next wave of directors, writers, producers, editors as well as other below-the-line production personnel.
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The film industry offers an almost infinite list of job opportunities – this is regardless if you are looking for reputable Minneapolis film schools or are wishing to learn more about the movie industry. Do you love to write? Talented scriptwriters are always required in filmmaking. Would you also want to be part of a film crew? Worry no more as you’ll always find a place that will suit you – cooking, operating a camera equipment, monitoring sound boards or studying lighting effects. If you’re more of the business-minded individual, you will always have jobs that will suit your interest – advertisers, marketers, accountants. There are still more jobs in filming, acting, and direction…the list never ends.
Despite this wide selection of opportunities, people may still struggle, unsure of how to enter the film production industry. Indeed, it’s almost always difficult to break into a new area where you have little experience on. It’s a good thing that a number of programs that will help aspiring filmmakers find their niche are available. One is filmmaking.net, which is specifically made to provide resources just for such interested people, providing helpful internet links, articles on current filmmaking opportunities, a directory of other organizations and schools oriented around film, and gear and software needed for amateur forays in the filmmaking industry. Another wonderful option is the Entertainment Career Connection whose subset, Film Connection, links aspiring filmmakers and industry professionals through effective mentoring programs. This way, the mentor can pass along valuable information while giving a broader look at how the real world of film and filmmaking proceeds.
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American Film Schools cost anywhere from $15,000 to $42,000 a year. When famous alum like George Lucas and Martin Scorsese went, the industry was very different, and their programs did not cost even a fraction of this amount. As a graduate of NYU Film, I learned the hard way of the gross disconnect between what is taught there, and how little it prepares a graduate for either working in the industry or making feature films. With tuition that astronomically high, I want to help dispel 3 of the biggest myths about film school that most people still believe in until they attend and graduate.
Myth #1: Film schools have clout in the industry. This is not Business School. Going to Harvard may get you a cushy job at Goldman Sachs. In the film industry, everybody works their way up from the bottom. Period. It does not matter if you went to NYU or USC. I recommend calling the Comar Agency. (I am unaffiliated with them). They are a staffing agency specializing in the Entertainment Industry. Call and ask them if a film degree makes you any better a candidate for a job than someone without that degree. And if not, then why not apply for a film job right now?
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